Zhenzhen Tian
Random Notes
This work employs data and technological structures as the conditions for emotional emergence rather than mere representations of emotion, allowing feelings to be generated through the audience's listening experience and temporal engagement. When data is transformed into emotion, what exactly are we hearing, and what are we losing? As emotions are outsourced to systems for management, prediction, and optimisation, are humans gradually relinquishing control over their own feelings? The piece seeks to create a space where audiences can re-experience emotions authentically, rather than being directed to feel predetermined responses. This work is not anti-technology, but rather opposes technology that feels for you.

Link to the sound recording: https://drive.google.com/file/d/1usr9L79RP77_fABpDmM2zq9W_PqRtoWT/view?usp=sharing
“Radom Notes 1” consists of 40 flower pots, 20 rain drop sensors, player modules, speakers, and an Arduino-simulated rainfall scene. Water drips from each upper flower pot onto the rain drop sensor in the pot below, with each sensor preloaded with notes from the C major scale. When water touches a sensor, it triggers a random note, creating a natural symphony that maps the uncontrolled environment within the random probability process of the external world.
Through this work, I aim to employ time, water, sound, sensors, and recording software to reveal uncontrollability and collective non-hierarchical epistemology, while presenting the historical frequency of events and prophecies for the future. This painting not only extends the original installation's concept but also profoundly illustrates the delicate relationship between nature and technology through artistic form, highlighting the randomness and unpredictability of the environment.



“Radom Notes 2”
Picture scroll is one of the mounting forms of Chinese calligraphy and painting It refers to installing books or calligraphy and calligraphy that can be scrolled on an axis, which represents the value of calligraphy and painting. Mounting the printed staff on the reel seems to highlight its value. However, questions about what is value, pre-existing value, and things that have not yet existed in cognition cannot be asked as "What is it?" "What is it?" as a question of the essential attributes. The meaning of the existence of things has been implied. In-depth study of the essence of value, transforming "What is the value?" into "how value is produced, From this point of view, not only interaction but finally reflected in exchange. The meaning of the frame is to be good at preservation, easy to observe, and beautiful. The form of the process expressed by these devices, the purpose of the behaviour, and the action behind the problem are artistic language missions. Human history inevitably has its value. Historical value refers to the Positive impact.

